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PhilCon 2004

We drove up from Washington to Philadelphia in the rain on Saturday morning and got to the Philcon hotel around 1:30. Parking in downtown Philly is almost as bad as DC, and we ended up parking in a public lot that gouged us for a total of $43 for 26 hours (if we had realized that we were going to get charged for the second day, we could probably have moved the car, but such is parking).

Checking into the hotel was no problem, other than the fact that all the king bedrooms were taken, so we had to take a room with two double beds (which Mrs. Immediacy likes, as that means (a) I have to sleep closer to her, the heat sink and (b) there's even more pillows in the room). Guest registration was, as always, in the green room, where we kidded around with the staff for a few moments. Looking through the pocket program, we didn't see anything that we wanted to attend until 4pm when Pam Sargent and George Zebrowski would give their principal speechs (as principal guests, standing in for Brian Aldiss, unable to attend due to medical concerns), so we of course visited the dealer's room, where we ran into the first of our convention friends, Mike Walsh of Old Earth Books (he, along with us and Pat Cadigan's college roommate, made up the Gold Saturn Club, although we have since lost our membership requirements--this was discovered when we all piled into our vehicles to eat after a reading of Pat's in Bailey's Crossroads).

The Philcon dealer's room was a good mixture of books (about a third of the tables), associated items (DVDs, games), and somewhat associated items (jewelry, sharp pointy things, t-shirts, kilts, corsets, etc.), with a few tables devoted to fan-related activities, such as pre-registration for future WorldCons.

George Zebrowski at the 2004 PhilConUnfortunately, little time had been had for the convention to prepare for the guest of honor substitution, and so publicity for Pam and George's appearances was miniscule, if it existed at all. Their principal speeches were complementary views on the intersection of H.G. Wells' War of the Worlds with both science fiction and the changing nature of our world. Like all good speeches, they made you more interested in the subject, leaving you with a desire to reread Wells.

We had hoped to get dinner with friends, but Pam and George were being feted, and rightly so, by the convention folks and we hadn't run across our other friends, so we went across the street to Sole Food, the restaurant in the Loews hotel by ourselves. The foyer was filled with people in suits and tuxes and I was afraid that the restaurant was booked, but it seems that this was a group destined for other places, and we had no trouble getting a table. We had garden salads, an asparagus risotto with woodland mushrooms, a mediterranean red mullet. For dessert, we had a warm apple tart with a single malt scotch sauce. A bit pricey for what you got, although presentation and service was excellent.

After a 9pm panel (consisting, in the words of Gardner Dozois, as torture for authors, who really want nothing more to do after 5pm at a convention than to have dinner than get drunk) that Pam had been a late addition to, and that ranged all over the place even though the audience (in some cases, strongly assisted by George and I) tried to encourage some structure, we retired to the hotel bar for a drink with Pam and George, wherein we discussed the realities of the writing life as well as plans for updates to her web site (which is hosted here). Around midnight, we hit the SFWA party (which had cheaper booze, but no place to sit) and went to bed around 1pm.

Pamela Sargent at the 2004 PhilConThe next morning, we met up with them again for their readings, which were not advertised at all, so instead we continued our discussion from the previous night, then broke to both pack and check out of the hotel, then to lunch across the street at Maggiano's Little Italy. We said our goodbye's to them, as they had a 2:30 transfer to the train station, while I was off to my two scheduled panels, the first about book collecting starting at 2pm. I was surprised to find myself solo at the speaker's table, so I went ahead and started off, joined by an audience member who volunteered himself (as someone who had been buying books for fifty years), and finally joined by the moderator who had been caught coverning her husband's book dealing table in the huckster room. Although we stayed on topic, the panel wasn't anything to brag about; I was happy to finally have the chance to greet Evelyn Leeper and her husband Mark, whom I had corresponded with on the Internet since the early 90s, who were trying to figure out how to begin pruning their large collection.

The second panel, on great beginnings, was much more robust, as moderator Greg Frost and editor George Scithers and I had all brought some examples of wonderful first lines and paragraphs, which we shared throughout the hour. (There was a fourth panelist, but unfortunately she must have been a late addition, for she was unlisted in the pocket program and I didn't catch her full name; she had prepared some openings, but had forgotten to bring them.) The interesting thing about the discussion surrounding these readings was how a great first line can not only indicate what the entire book is about, but also puts forward a mystery to be immediately jumped into in the first chapter (Greg used the example of the first line from Gabriel Garcia Marquez's One Hundred Years of Solitude). (I'll put my prepared list of great first lines below.)

We left Philly immediately after the end of the panel, and were home in about three hours. While no convention has matched the heady days of the 1980s when the entire concept was new to me, I always find myself invigorated as a writer by them, for even with all the negatives, there's still something about a group of people coming together because of their love for text that warms me. This time was also special for us, as we had only had a chance to physically visit with Pam and George once before, at WisCon in 1991, and it was great to get a chance to have some extended discussions with them.

Ken Grimwood, Replay
"Jeff Winston was on the phone with his wife when he died."

Jonathan Carroll, Bones of the Moon
"The Axe Boy lived downstairs."

Lucius Shepard, "The Scalehunter's Beautiful Daughter"
"Not long after the Christlight of the world's first morning faded, when birds still flew to heaven and back, and even the wickedest things shone like saints, so pure was their portion of evil, there was a village by the name of Hangtown that clung to the back of the dragon Griaule, a vast mile-long beast who had been struck immobile yet not lifeless by a wizard's spell, and who ruled over the Carbonales Valley, controlling in every detail the lives of the inhabitants, making known his will by the ineffable radiations emanating from the cold tonnage of his brain."
(and this line is the ending, which is even better)
"--from that day forward she lived happily ever after. Except for the dying at the end. And the heartbreak in between."

J.M. Barrie, The Little White Bird
Sometimes the little boy who calls me father brings me an invitation from his mother: "I shall be so pleased if you will come and see me," and I always reply in some such words as these: "Dear madam, I decline." And if David asks why I decline, I explain that it is because I have no desire to meet the woman.
"Come this time, father," he urged lately, "for it is her birthday, and she is twenty-six," which is so great an age to David, that I think he fears she cannot last much longer.
"Twenty-six, is she, David?" I replied. "Tell her I said she looks more."

Alan Moore, "Whatever Happened to the Man of Tomorrow?"
"This is an imaginary story (which may never happen, but then again may) about a perfect man who came from the sky and did only good. It tells of his twilight, when the great battles were over and the great miracles long since performed; of how his enemies conspired against him and of that final war in the snowblind wastes beneath the Northern Lights; of the women he loved and of the choice he made between them; of how he broke his most sacred oath, and how finally all the things he had were taken from him save one.
It ends with a wink.
It begins in a quiet midwestern town, one summer afternoon in the quiet midwestern future. Away in the big city, people still sometimes glance up hopefully from the sidewalks, glimpsing a distant spec in the sky…but no: it's only a bird, only a plane--Superman died ten years ago.
This is an imaginary story…
Aren't they all?"

J.R.R. Tolkien, The Hobbit
"In a hole in the ground there lived a hobbit. Not a nasty, dirty, wet hole, filled with the ends of worms and an oozy smell, nor yet a dry, bare, sandy hole with nothing in it to sit down on or to eat: it was a hobbit-hole, and that means comfort."

Harlan Ellison, "Along the Scenic Route"
"The blood-red Mercury with the twin-mounted 7.6mm Spandaus cut George off as he was shifting lanes."

Harlan Ellison, "Neither Your Jenny Nor Mine"
"My first inclination, upon learning Jenny was knocked up, was to go find Roger Gore and auger him into the sidewalk."

Flann O'Brien, At Swim Two Birds
"Having placed in my mouth sufficient bread for three minutes' chewing, I withdrew my powers of sensual perception and retired into the privacy of my mind, my eyes and face assuming a vacant and preoccupied expression. I reflected on the subject of my spare-time literary activities. One beginning and one ending for a book was a thing I did not agree with."

C.S. Lewis, Voyage of the Dawn Treader
"There once was a boy named Eustace Clarence Scrubb and he almost deserved it."

Alfred Bester, The Stars My Destination
"He was one hundred and seventy days dying and not yet dead."

Jane Austen, Pride and Prejudice
"It is a truth universally acknowledged, that a single man in possession of a good fortune must be in want of a wife."

John Varley, Steel Beach
"In five years the penis will be obsolete."

Cordwainer Smith, "Scanners Live in Vain"
"Martel was angry. He did not even adjust his blood away from anger."

Leo Tolstoy, Anna Karenina
"Happy families are all alike; every unhappy family is unhappy in its own way."

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